At City Hall, Tibetan monks start building a sand mandala that four days later they will dissolve and distribute, pouring their art into palms to be released to the wind. It is like that with live music–drinks on the table, lights focused, picks moving across strings, and the sound gone at the second it is most realized. Praise the moment of creation, and praise the moment after, when all that remains is the memory. Praise Peter Mulvey bringing his full heart to a small stage on Friday night. Praise how he once was a 19-year-old busking on the streets of Dublin with my friend and how he chose, after that, to go all in. No bets hedged. No alternate plan tucked in his back pocket. Nearly 30 years later he is driving from gig to gig–two guys, two guitars, a new song every Tuesday. Praise the tenderness of his lyrics. Praise the high notes, and the low. Praise the Cactus Cafe, which almost didn’t make it yet still remains, every seat a good seat. Praise the synchronicities that brought us to sit with old friends at a round table. Praise chords, words, rapport, all offered up. Praise how we follow them into the moment, into the song.
April 10, 2015